Category Archives: Uncategorized
John Wyver’s Versions
[inaudible] Jeremy Millar: John Wyver is a TV producer and a producer of films for the company Illuminations. [clapping] I’ve never been here, but for John this is a return to the seaside town. He first visited in January 1963.
John Wyver’s Versions
[inaudible] Jeremy Millar: John Wyver is a TV producer and a producer of films for the company Illuminations. [clapping] I’ve never been here, but for John this is a return to the seaside town. He first visited in January 1963.
Grownups are dumb
Gareth Moore’s Films for Children Do children possess a specific mode of engagement with images, storytelling and music, or the world, even? Films for children. Go. Cue bright colours, shadow puppetry (children love puppets, right?), jangling song, child-as-protagonist (in a non-horror
Grownups are dumb
Gareth Moore’s Films for Children Do children possess a specific mode of engagement with images, storytelling and music, or the world, even? Films for children. Go. Cue bright colours, shadow puppetry (children love puppets, right?), jangling song, child-as-protagonist (in a non-horror
An interview with Internet
Internet are a collective whose members include Diego Chamy and Siân Robinson Davies. I spoke to them after watching their performance Acting at the Horsebridge Whitstable Arts & Community Centre Naomi: I have some questions. Internet: Oh, OK. I was
An interview with Internet
Internet are a collective whose members include Diego Chamy and Siân Robinson Davies. I spoke to them after watching their performance Acting at the Horsebridge Whitstable Arts & Community Centre Naomi: I have some questions. Internet: Oh, OK. I was
A Conversation with the Whitstable Biennale Performance Curator.
Emma Leach’s text message read “I’ll meet you on the sea wall, by The Stage located closest to the Scout Hall”. So there we were, sitting on the seafront, kids and seagulls screaming all around, after watching Patrick Staff’s performance
A Conversation with the Whitstable Biennale Performance Curator.
Emma Leach’s text message read “I’ll meet you on the sea wall, by The Stage located closest to the Scout Hall”. So there we were, sitting on the seafront, kids and seagulls screaming all around, after watching Patrick Staff’s performance
Tessa Lynch: ‘Are your dreams usually linear?’
‘Are they about people or atmosphere and place?’ Can you categorise your dreams into this audacious system of identification? If you can, to the vocal tone of a call center employee, (who I initially thought was an automated service), you
Tessa Lynch: ‘Are your dreams usually linear?’
‘Are they about people or atmosphere and place?’ Can you categorise your dreams into this audacious system of identification? If you can, to the vocal tone of a call center employee, (who I initially thought was an automated service), you
Tim Bromage: This Alley Used to be Enormous on Me
Magicians surprise us. With mouths turned downwards we raise our eyebrows, nod and clap. Successful tricks impress. Often its not the scale of their illusion that enthralls (just how exciting can a rubber ball be?) instead the power seems to
Tim Bromage: This Alley Used to be Enormous on Me
Magicians surprise us. With mouths turned downwards we raise our eyebrows, nod and clap. Successful tricks impress. Often its not the scale of their illusion that enthralls (just how exciting can a rubber ball be?) instead the power seems to
Emma Hart: Monument to the Unsaved #2 (M20 Death Drive)
So theres an official story but its been disguised. Interpreted and interrupted. She’s got her arms outstretched – what would you like? Check wooden carved cocktail cups and plaster cast soap dispensers. Calculators that will make your fingers bleed. Everyone
Emma Hart: Monument to the Unsaved #2 (M20 Death Drive)
So theres an official story but its been disguised. Interpreted and interrupted. She’s got her arms outstretched – what would you like? Check wooden carved cocktail cups and plaster cast soap dispensers. Calculators that will make your fingers bleed. Everyone
Live blogging the Whitstable Biennale 2012
This year’s Whitstable Biennale will be reviewed live by five writers: Jonathan P. Watts, Naomi Pearce, Alice Hattrick, Sarah Jury and Charmian Griffin. All current students or recent graduates from the Critical Writing in Art & Design MA programme at
Live blogging the Whitstable Biennale 2012
This year’s Whitstable Biennale will be reviewed live by five writers: Jonathan P. Watts, Naomi Pearce, Alice Hattrick, Sarah Jury and Charmian Griffin. All current students or recent graduates from the Critical Writing in Art & Design MA programme at
Whitstable Biennale live 